Friday, 13 September 2024

CUUSHE FADED CORNERS


Tokyo-based singer and producer Cuushe (aka Mayuko Hitotsuyanagi) is summoning the ancient past with this slice of new music. 'Faded Corners' features her tradebmark vocals, a textural combination of a far-off call and close-quarters whisper, as they spin words based on 'Asobi wo sen to ya~', a famous poem that was included in the Ryōjin Hishō, a 12th-century anthology of imayō — lyrical poetry that was intended to be sung with music (and dancing).

It's an masterclass in atmosphere-making — the soothing ambient wash of chords, the urgent hush of the vocals — but it's also an excercise in creating a sense of propulsion and a vehicle of dance without actually using a constant beat (aside from the odd deep, bassy thud of a kick). The overlapping rhythms combine to create a complex footwork-adjacent web of energy, extra rhythm provided by the muffled splash of syncopated synth chords.

The stirring strings and plumes of bass, the scratching, glittering, richly textured soudscape reflects the violence and beauty that comes with the preservation of ancient culture through the centuries. Pages tear, fires burn, people forget, and yet scholars record, artists revive — marvellously mirrored in the dense yet flighty crescendo of 'Faded Corners', like a sky ripped asunder.

The single arrives with bonus remixes. Flau label boss aus takes the track to the boundaries of a frosty realm in his 'reprise', waves of ambient synth washing through a minimal landscape with cascading clusters of bleeping synths and snippets of harsh noise, ending with intense destructed glimmers of sound.

Elsewhere there's a chilled, almost New Age vibe to the remix by Korean duo Salamanda, complete with slow, deeply blooping drums spinning a relaxed groove. Melati ESP, on the other hand, makes things propulsive with a bouncing beat and tropical approach to its bubbling collection of iridiscent synths.



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