Only works if you actually make music, I think.
Anyway. They recently collaborated with French producer Fred Falke to create this pretty cool track 'Geronimo', released 23rd July. I say pretty cool because it exudes a minutely disappointing sense of semi-standardness. All the right elements are there, you know, the grinding distorted synth coming on like endless waves of energy, the thumping four-to-the-floor house beat, the now-and-again vocal track howling underneath everything, the half-funk bassline rumbling like a mini-earthquake. But for some reason it's just not doing all that it could.
That's not to say that it isn't a cool track. Cause it is: it's on Kitsuné, for Allah's sake! The French Touch (Fred Falke in this case) is always pretty magic.
The best thing about it actually is the build-up that these guys create. The energy is immense and it's hard not to get even a little bit excited about this track. I love the ruthless hi-hat and the galloping brightness of it all. The funk bassline is also really tasty. But, like I said, although it's good it could be better. Remember: I said minutely disappointing, not terribly or even mildly. Covering my back here.
The video - and if you haven't watched it, do - is also very cool and echoes the absolute unhindered freedom that this song sweats out as it does its hardcore workout in my ears.
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• Here's the Wikipedia page for The Knocks
• The Knocks on Facebook
• Listen to more from The Knocks on their SoundCloud
• The Knocks on Myspace.
• This is the Knocks' official site
• Follow The Knocks on Twitter
• And here's the Wikipedia page for Fred Falke
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